Tzuhan Lin 林子涵 (b. 1998) is a Taiwanese artist based in London. She graduated from the Royal College of Art with an MA in Sculpture and previously completed her BA in Painting at Edinburgh College of Art. Her work encompasses moving images, projection, steel, shape and form , aiming to convey the interaction between weight and tension while interpreting liminality at the convergence of physical and digital realms. Her practice looks at metaphors for experience, linear time and space in relation to modern architecture and its ideologies.

We are living in a liminal transition while seeking a sense of groundedness. Intrigued by our indefinite existence, Tzuhan emphasises the geological aspect of our simultaneous presence on this rotating planet. She reflects on the liminal transition we experience while looking at a sense of connection. Gravity connects us to the Earth, and our weight anchors our presence within space. Her practice has evolved from focusing on quantifiable clock time to exploring non-linear notions of space. Inspired by brutalism in relation to concept of clock time, Tzuhan’s work shies away from rigid regulation of quantitative clock time and reimagines the concept of time as an continuous transition which embraces memories, duration and being.

In the current age of acceleration of events, stuffed with both happy and unsettled debris, it is contrary to an ideal decentralised world of freedom. The relentless pursuit of power and control inflicts tension and conflict. In this context, her work seeks to evoke our collective dependence on time while challenging dualistic thinking. She explores the interdependence between opposites, seeking a place where things are neither judged nor rigidly defined. She aims to create a dialogue about perceptions and our envisioned futures—a space that is non-hierarchical and in transitional harmony.

林子涵（Tzuhan Lin，1998年出生）工作於倫敦與台灣。畢業皇家藝術學院雕塑系碩士，在之前於愛丁堡藝術學院完成了繪畫學士學位。她的作品主要包括動態影像、投影、鋼鐵與形體，旨在傳達重量與張力之間的牽涉，並透過裝置與場域詮釋現實與數位領域共存的閾限狀態。她的創作隱喻經驗、線性時間與空間，將時鐘時間的嚴格與刻板延伸至粗獷主義的建築結構，研究其僵化意識形態的願景與衰落，並在既定的結構與規制中拉扯與平衡。

我們生活在一個過渡狀態，同時尋求一種扎根的感覺。由於對事物與生物不確定的存在感到好奇，她的作品圍繞在探討個體與世界的連結。重力將我們與地球相連，而我們的重量則在實體空間中錨定了我們的存在。她的創作關注可計量的時鐘時間到探索非線性的空間概念，將時鐘時間的隱喻與粗獷主義連結，她的作品表達可計量時鐘時間的規制，並期望再延伸時間的概念為一種持續過渡，並且包容記憶、時段和存在。

快樂與不穩定在加速中凝固既飄散，與理想的去中心化世界相悖，對權力和控制的無情追求加劇了緊張和衝突。在這種背景下，她的作品希望喚起我們對時間的集體依賴，並探索對立事物之間的相互依存，尋求一個既不被評判也沒有定義的地方，期望創造一個關於洞察和未來設想的對話空間，一個非階級化且協和過渡空間。