Around this time last year, I had a thought of creating a work that captures motion within stillness, conveying my experiences after graduation, moving from one place to another in the acceleration of events. The work seeks to balance navigation and a sense of groundedness. I am interested in how our physical presence connect us to the earth, feeling our weight anchors our presence within space.

Shying away from the rigid regulation of quantifiable clock time, I reimagines time as a continuous transition—one that embraces memories, duration and being. It seeks to reconsider our power and dominance among all beings, while also acknowledging our naivety in realms beyond our comprehension. I imagine engaging in a dialogue that embraces non-hierarchical perception— a space where things are neither judged nor strictly defined, finding meaning in the process of embracing.

大約在去年這個時候我萌生了一個想法，想要創作一件捕捉運動中的靜止的作品，以此傳達我在畢業後從一個地方遷移到另一個地方的經歷，事件彷彿在加速推進中出現後淡出。這件作品試圖在探索與扎根的感受之間尋找平衡。重力將我們與地球相連，而我們的重量則錨定了我們在空間中的存在。

作品試圖擺脫可計量時鐘時間的嚴格規範，並將時間重新想像為一種持續的過渡，一種包容記憶、時段與生命存在的流動狀態。它試圖重新思考我們在萬物之中的力量與主導地位，同時也反思我們在超越理解範疇的領域中的天真與侷限。我想像自己在這個作品中，與一種非階層化的感知與洞察進行對話，一個事物不被評判、不被定義的空間，在這個過程中找到包含與彈性的意義。